But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
- MFThK-Links des Jahres!
- Debt Sucks! Anyone Can Have a Debt Free Life.
- Rodin (French Edition).
- Up Close and Personal!
- God-delusion and God-delusion Insanity?
There is the love the Greeks called filia — the love of friendship. There is the love they called agape — love as embodied compassion, expressions of kindness that might be given to a neighbor or a stranger. Eros and agape are both vertical drives: Men tend to put an emphasis on Eros , and women tend to put an emphasis on agape.
Eros means freedom , and agape means fullness. So women tend to have more of an emphasis on fullness in their relationships; men tend to value freedom more in their relationships. Six love styles — John A. Lee Love type Expression Description Preference Eros Erotic Passionate physical and emotional love based on aesthetic enjoyment, attracted to beauty Men Ludus Playful Playful love that is played as a game or sport, thrives on "conquest", little or no commitment Men Storge Companionable Affectionate love that slowly develops from friendship , based on similarity Women Pragma Pragmatic Rational , undemonstrative love driven by the head, not the heart, partner selection according to practical and rational aspects Women Mania Possessive Highly volatile , instabe and emotional love fueled by low self-esteem, stereotype of romantic love, obsession Men Agape Altruistic Selfless altruistic love, spiritual love, motherly love, spiritually oriented, interconnected Women Sources featuring the six love styles found by John A.
James 1, 19 NT Everyone should be quick to listen, slow to speak and slow to become angry. Colossians 1, 9 NT We continually ask God to fill you with the knowledge of His Will through all the wisdom and understanding that the Spirit gives. Colossians 3, 13 NT Bear with each other and forgive one another if any of you has a grievance against someone.
Forgive as the Lord forgave you. Ephesians 4, 15 NT Speaking the truth in love, we will grow to become in every respect the mature body of him who is the head, that is, Christ. Philippians 2, 14 NT Do everything without grumbling or arguing. Proverbs 13, 12 OT Hope deferred makes the heart sick, but a longing fulfilled is a tree of life.
Proverbs 17, 1 OT Better a dry crust with peace and quiet than a house full of feasting, with strife. Proverbs 18, 13 OT To answer before listening — that is folly and shame. Proverbs 21, 26 OT All day long he craves for more, but the righteous give without sparing. The Mystic , 8. Platon unterscheidet zwischen folgenden drei Ausdrucksformen der Liebe:. BW - Neotantra , angeboten in Form von neuzeitlichen Gruppenseminaren. Possessives sexuelles Begehren Passion. Somit ist Liebe verwundbar und kann verloren gehen. Die Frage an den Einzelnen. Das ist keine Metapher, sondern die Wirklichkeit: Our concept of love is but the sliver of love's potential that the Greeks separated out as eros, where we load so much of our desire, center so much of our imagination about delight and despair, define so much of our sense of completion.
Passionate physical and emotional love based on aesthetic enjoyment, attracted to beauty. Playful love that is played as a game or sport, thrives on "conquest", little or no commitment. Affectionate love that slowly develops from friendship , based on similarity. As such, memory can be manipulated to serve the goals of a particular political agenda. More recent cases stirring controversy in Greece abound, where ideas and visions of national identity and the construction of memories that go together are used to sway public opinion.
Recently, the appointment of historian Lambros Baltsiotis in the position of Special Secretary for Issues of Citizenship by the Minister for Internal Affairs stirred controversy as some of his writings were considered to be contrary to the preferred narratives that form the Greek national identity. Lambros Baltsiotis has written extensively on issues of Greek national interest, offering interpretations that are considered eccentric in comparison to the dominant narrative about those facts which is seen as compatible with the Greek national identity more generally.
This point was seen as extremely offensive to the Greek national identity by those who objected to his appointment in the position of Special Secretary for Issues of Citizenship. The critics of his appointment noted that there are dangers in appointing to the politically delicate position that entails deciding upon the granting of Greek citizenship a person who has put forward interpretations of facts that are contrary to national interests.
Granting citizenship as a matter critical to national interests should not be entrusted to a person who has written against these interests. In the delicate context of political and national insecurity, the fact that Lambros Baltsiotis exercised his academic freedom is seen as endangering national interests.
Read PDF Das Buch der Wahrheit und der Liebe Gottes: und die Religion der Liebe (German Edition)
Although the controversy did not block the appointment of Lambros Baltsiotis, it indicates the dangers that the politics of memory can pose to academic freedom. Both the cases of Richter and Baltsiotis reveal the negative unintended consequences for academic freedom from recourse to the law to express condemnation of particular historical facts. These cases arose in Greece — a country struggling under recent misfortunes and feeling the need to affirm its national identity and its importance in world history in the context of the global economic crisis.
Because poetry Dichtung stands at the centre of this concept of secularization, the development of lyric poetry is particularly interesting.
Buy for others
On the one hand, the understanding of the poet as a quasi-sacred figure is especially pronounced here, and is also firmly renewed after An emphatic concept of literature often determined the form of the nature poem, for example, which experienced a definite renaissance after This, too, is an imperative thwarted by the silence that answers him. Remembrance of the buried remains a moral commandment.
These two things, placed together, are so unrelated that they constitute no norm, no meaning and certainly no belief. But the poem has another opposing message, because on closer reading — reading it as a poem — it reveals itself to be shaped by the tension between nihilistic content and perfectly crafted form. Modern literature can thereby connect directly to the various movements of cultural criticism. Of course, since the mids the discussion of poetry, its crisis and its link to the present, has not been exclusively abstract, nor conducted in the context of existentialism and cultural criticism alone.
The challenge of German poetry acquires a name in , with Theodor W. But a substantial number of the poems produced in the post-war years can be read as a reaction to this dictum, in particular those written by Jewish authors, who often drew on biblical themes and forms when confronting their experiences. In this respect they did not, as Benn advocated, separate art from culture, but tied it back into the semantic reserves of religion. Paul Celan, too, understood his poetry as coming out of the experience of Auschwitz.
Instead, he wanted to begin with language — and in particular the German language — from which he often developed new philosophical terms etymologically, such as Zeug equipment , Gestell enframing or the activity of welten to make into a world. In the world after Auschwitz, no one can save humankind. The following strophes develop this further:.
The poem combines a dense and consciously hermetic symbolism with a work on language, a radical development which leans on the biblical psalms not only in terms of form, but also theme: the tension between intimacy with and distance from the divine other. The strong symbolism in the literature of the early post-war years is largely a transitional phenomenon.
Even early on, existential interpretations were met with demands that literature — particularly after the bad experience of ideologization — should first describe reality realistically. As soon as these texts became more complex, they often combined a sceptical attitude to the presence of Christianity and the Church with a broad use of religious symbolism and figurations.
One of his sons, Adolf, has become a priest, but his cousin, the composer Siegfried Pfaffrath, believes it was only the fear of his dominating father that led him down this path:. Initially, Koeppen was still a rather isolated writer. At the end of the s, however, this Modernist realism became typical — particularly in the texts of the Gruppe 47 , a loose affiliation of authors who came to dominate German literature for a long time.
At the same time, the majority of his texts are marked by a Christian symbolism and a set of values that suggest literature has become the custodian of moral claims and an advocate for the weak whom the Church has abandoned. And you also know that sacraments have one frightful property, they are not subject to finite laws.
Frequently Asked Questions - Talixo
And they were hungry, and the bread was not multiplied for them, nor the fish, and the Sacrament of the Lamb did not still their hunger, while that of the Buffalo gave nourishment in plenty. The religious symbolism here serves to condense and interweave the levels of past and present, and at the same time it involves a more or less latent identification of the protagonist with a Christ figure, who takes a highly critical stance on the Church itself, but feels a deep sense of duty to those who have been humiliated and insulted. The religious figuration gives the story coherence and a political meaning beyond its specific context.
Sofort gibst du mir meine Trommel wieder. Give me back my drum right now. Folge mir nach! Wut gab mir die Haut eines Suppenhuhns.
Related Das Buch der Wahrheit und der Liebe Gottes: und die Religion der Liebe (German Edition)
Copyright 2019 - All Right Reserved